For me if I had to pick a good contender it would be the UK version of The Office.
I know many tend to debate how Ricky Gervais really fell off and how he repugnantly acts like a whiny centrist edgelord but me personally IMO I actually don’t think he was ever funny not even a little.
His big break through television was just so painful to sit through it’s so charismatically boring the characters are completely generic at best (notably Tim) or straight up insufferably unlikable at worst (especially the protagonist David FUCKING Brent) and most importantly the humour is just embarrassing.
Always seemed like The Thick Of It but without the nuisance tongue in cheek and charming satire.
I am trying to watch “The Wire” (on ep. 10) because it is one the highest rated show on imdb, but it doesn’t click in me. It is high quality product. Acting, music, camera work are all good. But is just boring for me, and I force myself to do it.
Same was with The Sopranos btw.
P. S. Ricky Gervais is funniest comedian for me. I watched his Life’s Too Short, After Life and I like it a lot. For me it’s very funny and bravely. Never watched British The office, may be shouldn’t, thanks.
Agree, I actually think he is a fantastic actor and that’s missed in the role, don’t confuse the role with the actor and the tone of UK black comedy. Yes he roasts but it’s in a highlight kind of way and tends to be pointed at mocking privilege and arrogance. I’d suggest trying his other stuff like afterlife.
I think it takes a different approach mentally to enjoy it. Especially compared to anything modern. I’m working through it slowly myself and just finished season 3. I watch it with friends tho which maybe makes it easier to watch.
All that said, if it’s not clicking after 10 hours, could be best to put it down. You can always try again later.
The wire’s magic is that every character seems real, more like the show is a documentary rather than a TV show. And it carries all the way through, the quality never ends. You have to accept that you are watching a slow burn documentary, else you won’t get it.
Only When I got to season 3 did I understand why people rave about it. Each season is like an onion layer.
If the actual premise of the show isn’t interesting, then it may not matter how quality it is.
Hmm. I don’t know how I would feel if a person told me they found the premise of The Wire uninteresting… it’s a deep look at poverty, political corruption, black American life in inner city Baltimore, commentary on police and our justice system etc etc etc… there’s a lot to chew on, unless you came from the same background as the characters idk how a person could find the premise boring intellectually, and even then I’d still be surprised. The pacing however… yeah season one is slow
While I personally liked the show, it is heavy. Not everyone likes watching shows about serious topics.
You’re the first person I’ve ever seen that made it that far into The Wire and didn’t like it. Are you American? If not, I think that maybe makes more sense. For Americans, it’s just such a great representation of so many things that every city experiences. And the fact that you see the same story from so many different perspectives is just SO compelling. I think it should be watched/taught in high schools because of how many perspectives it gives on the plights of society in American cities.
Seinfeld.
I think the show is ok, but could’ve been good with anyone else as Seinfeld. Jerry is the worst part of the show, especially the stand up bits at the beginning and end. I don’t understand how he was ever popular
“wHaT’s ThE dEaAaAaAaAAL WiTh _____??”
…I don’t understand how that guy apparently holds a ridiculous amount of power in the entertainment industry lol.
“Getting coffee with people in cars” or whatever it’s called really revealed how nasty and self obsessed Jerry Seinfeld is to me. Up to that point he was passably funny to me or, at least, the show was. Looking back it was really Larry David, and the other cast that carried it all.
3 body problem. What a fucking terrible shit waste of paper.
The only answer I can’t understand. A great novel. I Chinese context was very fresh and interesting for me. Sometimes it seems amature, like fan fiction, like author is not a professional writer. But it makes it even better.
I mean, I think you explain the reasoning in your own comment, the writing (at least in the English translation for me) was so rough that I couldn’t get into it. I can’t say I hated it, I just never got far into it because it couldn’t keep my attention.
I’m surprised to hear someone say the poor writing was a plus for them. Why did that make you enjoy it more?
As I explained - it feeled fresh. I can’t explain why, but I can’t put it down while reading.
I don’t try to convince people, who read this book, that it’s great. I address people who haven’t - you should give it a chance.
The worst part is that if you somehow drag yourself through the first book and rightly declare that it sucks, fans will all say “Oh, yeah, the first book is bad, but it gets sooooo much better after that!”
This is a fucking lie. The books actually get progressively worse at a genuinely shocking rate.
Do you like reading a series of Wikipedia articles about all these really cool ideas the author had? Do you like being slapped in the face with moments of truly egregious sexism? Do you like characters with zero defining traits? Do you like entire plotlines built around Death Note style “I know that you know that I know that you know that I know…” style bullshit that falls apart the moment you think about it for five seconds? Do you like like awful solutions to the Fermi Paradox? Oh boy do we have the book series for you!
Death Note style “I know that you know that I know that you know that I know.…” style bullshit that falls apart
yeah if you didn’t like that part of death note (which i guess would be another of your responses to this question) you definitely wouldn’t like that plot line, which PSA to other commenters takes up about 1/4 of the second book. (i’m also curious to hear why you think it falls apart and debate it though i presume you wouldn’t be interested in debating this book lol. i liked the plotline partly because you also have to deduce what he’s going to do and going on through his mind)
awful solutions to the Fermi paradox
the Dark Forest Hypothesis has been around and proposed by physicists decades before the book popularized it, though not with that name; it is plausible that Liu independently thought of this. Stephen Hawking is a major proponent of this hypothesis.
OK, so, the most important thing to understand about the Dark Forest hypothesis is that Cixin Liu is not necessarily making a serious argument for it as a realistic model of how the universe works. The novels are works of fiction, and while I will trash Cixin’s prose to the ends of the Earth (it is dire, and absolutely none of my complaints have anything to do with translation; the shift from Chinese to English didn’t magically replace dialogue and character action with endless tracts of dry narration, that’s just how he writes, and it’s bad), I think his grasp of themes is actually really, really good. I’ve often commented that I would love to see Liu take all of his ideas and collaborate with a better writer on putting them into text.
In the case of Remembrance of Earth’s Past, the core themes of the series as a whole are all about altruism and cooperation, and the Dark Forest Hypothesis exists as a juxtaposition and foil to those ideas. He’s not necessarily advocating for it, it just works for what his story is trying to say about the human condition. The Dark Forest is, in a sense, the ultimate villain of the series.
I also want to note that while earlier versions of the theory existed, there are subtle but important differences in how they’re expressed. Hawking et al are/were proponents of the idea that aliens may be hiding, but The Dark Forest specifically presents the argument that no only is everyone hiding from Space Hitler, but that everyone is Space Hitler, as non-genocidal civilizations are inevitably wiped out. That’s what I take issue with.
As for why I think the theory is - removed from it’s context as a dark backdrop against which to write a story of hope - a crock of shit…
Well, OK, I don’t think it’s a crock of shit in the sense that it’s utterly impossible. But it’s presented, especially by fans, as a kind of inevitable logical assertion, a fait-a-complit that cannot be challenged because it’s so utterly self-evident. This is nonsense. While the theory is technically possible, all of our available evidence suggests that it’s extremely unlikely.
First, at a really basic level, 100% of our observations of intelligent species refute it. Humans constantly and enthusiastically blast our position into space, and the apparently irrefutable logic of the Dark Forest hypothesis hasn’t slowed our enthusiasm for doing so by one iota.
“But humans are an outlier!”
Based on what evidence? We have zero empirical observations to base that claim on. And no, I’m not claiming that one (1) species constitutes a statistically significant observation for my argument; rather I’m pointing to the fact that our empirical observations arguing for dark forest are zero (0), and our empirical observations against are > 0, and at some point proponents of the theory kind of have to deal with that fact. It’s just as absurd to claim that humans are an outlier as it is to claim that every species in the universe must inherently be like us.
What we do know that is all life on Earth with any degree of intelligence demonstrates curiosity. Curiosity is, as best we can tell, an essential component of applied intelligence. An incurious species will never smash a stick with a rock and learn the concept of a hammer. Curiosity compels us to want to learn about the unknown. Liu presents this idea that inter-species cooperation will always be an unbridgeable gap because truly alien creatures from truly alien environments will never be able to comprehend each other’s goals and motivations, and that’s frankly ludicrous. The drive to understand the unknown is what made the first ape pick up a burning stick and realise it could keep their tribe warm.
(Am I arguing that Project Hail Mary is basically a sufficient revocation of the Dark Forest Hypothesis entirely on its own? Broadly, yes.)
Further to the lack of evidence is the lack of any observable evidence of the ongoing galactic genocide that we are apparently endlessly surrounded by. We know when stars should die - we’re actually pretty good at it - so spotting when stars are being blown up by civilisation destroying weaponry wouldn’t be that hard.
Then we get to the fundamental flaws in the game theory. Liu proposes a forest full of hunters with rifles shooting each other from the darkness, but never once contemplates what happens if the hunter you fire at has a friend. Given the nature of the weaponry employed in the story, which is never shown to be capable of destroying more than one star system at a time, that friend doesn’t even have to be an allied civilisation, it can just be an extra-solar colony. The entire logic of the “Always strike first” conclusion falls apart at this point. You detect a star system that contains a nascent alien civilisation, you blow it up with a photoid. Turns out you detected one of that species first extra-solar colonies, and their homeworld immediately conceals itself, builds photoids, finds you and kills you. Hard to do, but entirely worth the effort now that you’ve made it essential to their survival.
The hunters gun reveals him when he fires, and why shouldn’t it? There’s no reason to believe that methods of interstellar destruction are entirely undetectable to observers. Logically, opening fire is a terrible decision; you have declared to everyone around you that you operate on a first strike principle, making yourself an immediate target for destruction, potentially by a group of altruistic civilisations who will immediately choose to cooperate against you. It’s really not hard to formulate the logic of the dark forest in such a way that, rather than only paranoid, genocidal civilisations surviving, it is the exact opposite; that cooperators have an inherent advantage that would lead to only cooperators surviving. The theory as presented just relies on assuming that all of its suppositions are correct while ignoring alternative possibilities.
The argument the theory presents against the likelihood of cooperation is the notion that we exist in a universe of finite resources, but increasingly our observations of the universe show that there is a LOT more matter than there is life, and at a certain level of technology all matter is usable resources. Basically once we can start printing carbon atoms we’re close enough to Star Trek replicators as makes no odds. Carbon is literally the fourth most abundant element in the universe. The Trisolarans can turn protons into multidimensional computers but they can’t fabricate food from the carbon in asteroids? That is an absolutely demented proposal. In the first Culture novel Ian Banks lays out how the Culture is basically undefeatable in conventional warfare because they’ve completely transcended the need for territory. Planets don’t matter when you can build spaceships the size of continents. The idea that advanced space-faring civilisations would be coming to blows over resources beggars belief. The Trisolarans have already demonstrated the technology required to just become a completely space-faring civilization.
Hell, if the entire driver of a lack of cooperation is scarcity of resources, why the fuck would we be blowing up each other’s star systems with all those valuable life-supporting planets? If the existence of advanced life is somehow utterly dependent on life-supporting planets in a way that is fundamentally unsolvable, you’d be insane to go around destroying them.
None of this is fundamentally dispositive to the theory. That’s not what I’m trying to claim. If it has a 0.0001% chance of being true then it’s still plausible. My point is simply that in order for it to be meaningful there are so many specific assumptions that would first have to be proven, and which, frankly, fly in the face of what available evidence we have. Essentially, we would have to be entirely wrong in many of our current observations of the state of the universe. You might as well assert that the moon is actually made of cheese, it’s just buried deep beneath all the bits we’ve studied. It’s a theory that seems entirely logical, as long as you ignore the vast majority of what we know about the universe.
And I do want to reiterate what I said at the top; the Dark Forest Hypothesis is almost certainly a bad theory because it’s not meant to stand up as a theory. It’s more than likely just meant to be a piece of sufficiently plausible sci-fi technobabble - just like warp drive - that it can support what the story is trying to say, not an actual theory that stands up to scrutiny. I just dislike that a) it really does rely on a LOT of bad assumptions, to the point where I was questioning it throughout the story, and b) people act like it is some kind of irrefutable masterstroke of game theory.
Stephen Hawking is a major proponent of this hypothesis.
was
oops. just because he’s dead now and not because he changed his mind, right?
Not sure, you’d have to ask him.
fans will all say "Oh, yeah, the first book is bad
i don’t think that’s how it goes. the fans i know all say both books one and two are really good (second one being better than the first of course, but no the first book is still awesome) while the third one is controversial. i personally agree with that except i also like the third book though i agree that one did nothing to dissuade misogynist interpretations and there are little if any strong femm characters in the series
this is the definitive review. 10/10, no notes.
You forgot the Deus Ex Machina explanation at the end that made literally everything before it a non sequitur.
And he had no new ideas. Anyone that reads that series and extolls the originality of the Dark Forest theory hasn’t read any science fiction to speak of, let along Saberhagen’s Berserker series from the better part of a century earlier. He had nothing new, he was a literature prof writing his first SF book and doing it way worse than any literature prof should ever be at writing.
Fucking garbage, I was angry and upset that I had wasted time reading that shit and wanted my money back. If anyone tells you that was great SF, you can safely turn your back and walk away, they have nothing useful to contribute to a conversation on the matter.
Preach.
Oh my God, I thought it was just me. I usually consume a lot of sci-fi media in general and was like, “why can’t I like this highly acclaimed work?”
I think I’ve read (or at least started reading) the book like three times and watched the show twice and I remember none of it
at least, I think it’s that one. might have it mixed up with something else.

Director Dennis Villeneuve. I don’t like emo and the guy is playing only that card.
The Netflix adaptation of Altered Carbon or “How a good read was turned into an absolute boring pile of dog shit”
Big Bang Theory
The worst part is how it’s fans seem to think it’s a love letter to “nerd culture” (whatever the fuck that is) and endlessly bring it up if you dare mention any interest in comics, roleplaying games or anything in that vein. “Oh you’ll love this show, it’s all about that nerdy stuff.”
Last Christmas. Whenever it pops up in the radio, I switch to the next station.
Grand Theft Auto before-and-after San Andreas
It’s Always Sunny in Philadelphia.
Its not just that the humor is unfunny (and basically just bigotry porn with a side of cringe), its that none of the “friends” in the show are even friends with each other. The whole show is just a bunch of assholes being bigoted assholes and then you are supposed to think that its funny.
This is a style that I first noticed with Archer, and it is very hard to do well. I enjoyed Archer, I enjoyed some of Rick and Morty, but I also recognize that I’d refuse to engage with someone like that in real life. Iasip takes it to the extreme of being genuinely unpleasant.
I like it, but it seems really overrated.
They take their twisted logic and antics to such extremes that it resembles a live-action version of some mid-20th century American cartoons. Same level of slapstick cruelty but the plotlines make it all more premeditated and sociopathic.
(I laugh hysterically at it, but I totally understand anyone who thinks it’s depraved!)
Not depraved, just pitiful.
Well, yeah, the whole show is based around each character being the worst narcissistic and self-serving asshole you can imagine, and then some.
I personally find it really funny, but I can sort of see why some people don’t like it
I think it’s supposed to be Seinfeld but moreso. Part of the humor is watching these assholes screw themselves over with their terrible plans.
The whole show is just a bunch of assholes being bigoted assholes

and then you are supposed to think that its funny.

An Officer And A Gentleman. Absolute sexist garbage.
The Narnia books. Silly, thinly disguised evangelical propaganda.
Star Trek: Enterprise. I just never got into that one.
Doesn’t everyone hate Enterprise?
No, not everyone… I mean, some people like Discovery…
What, you don’t like watching the crew stand around and gently cry over whatever the episode’s melodrama is? /s
Anyway, there are some series in the franchise that are definite fan unfavourites. I enjoyed Picard, but both it and ENT are on the list.
Life of Pi. My kids warned me not to read it, they had to for school. I read fast, it was a slim volume, I thought why not, it will be quick. It was quick but I want that time back. I don’t get what anyone likes about it, it’s unlikeable.
It was a book before a movie?
quick web search
Huh. TIL.
My aunt Gisela promised to bring me into touch with my father. In reality, she simply darkened the room and, with a lowered voice, gave a bad imitation of my deceased dad. That’s one medium I could do without.
Funny and original comment. Nicely done
Dr. Seuss. I really don’t know why, but that stuff is creepy and disturbing in a way that almost nothing else is. All of it. The art, the writing, the themes. I literally just can’t even.
All the GTA games after GTA 2 were shit. 3D ruined it.











