• Mothra@mander.xyz
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      2 months ago

      I loved this movie and if I was to read a summary I would think it’s boring as hell. But it’s not. It’s on my Made Me Cry list, has an amazing female main character and a solid romance that is not cliche, and I typically cringe at movies with too much romance. This one is good. I +1 your recommendation.

    • Lenny@lemmy.world
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      2 months ago

      This movie is the epitome of #mood for me. I love almost every scene as a standalone artwork. Must’ve watched it 20 times.

        • Lenny@lemmy.world
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          2 months ago

          I did a uni paper on it! I don’t like it as much, it’s a little too whimsical in comparison, but Gondry has a style that just settles my bones.

    • thrawn@lemmy.world
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      2 months ago

      This is generally what I recommend. I’d also suggest going into it as blind as possible simply knowing that it’s a half comedy, half historical drama. It gets pretty heavy at times, more than most comedies. One of my favorite movies ever.

      I saw it not even knowing that much and I wouldn’t have it any other way. Great film.

  • rudyharrelson@lemmy.radio
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    2 months ago

    “12 Angry Men” (1957) is a personal favorite that I recommend to pretty much everyone. Great messages about questioning assumptions, challenging biases, understanding the limitations of evidence, acknowledging imperfections in the justice system, and the consequences thereof.

    The movie is also cinematically interesting to me because it feels “small”. The entire movie just about takes place in one room, and the events of the film transpire over the course of one afternoon.

    • Eleyson@lemmy.world
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      2 months ago

      I’ve seen this movie 3 times, each viewing several years apart. Each viewing solidified this movie as my personal favorite, I would go in thinking I’ve already seen this, it can’t have the same wow factor. Nope, I would end up loving it even more. Can’t recommend this enough!

    • Rob T Firefly@lemmy.world
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      2 months ago

      In the beginning of 12 Angry Men everything is shot from above eye-level with wide-angle lenses, giving everything the feel of more space, but as the film progresses it transitions to tighter shots with telephoto lenses from lower angles. The film gives the viewer more and more of a subconscious sense of tension and claustrophobia as the story progresses.

      At least one stage adaptation of the story gave a similar effect over the course of the show by slowly tightening the lighting and having the walls of the set physically move inward, too slow for the audience to take notice but enough to subtly affect the entire atmosphere and really drive that feeling home.

      • rudyharrelson@lemmy.radio
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        2 months ago

        That’s so neat; I’d never noticed that before. And the walls closing in on the stage adaptation is really clever